the_variant: (dude 2)
Spending the day as a man is exhausting.

Though it has yet to work in Darrow, Sylvie is convinced one day her alter ego -- she's called him Dan and he works at City Hall and no one actually knows what he does, but they all like him -- will yield some kind of results. Some information someone doesn't want the rest of them to know, the transplants from elsewhere. Because Dan, like so many others, has always been in Darrow.

Still, she doesn't especially like being Dan. He's handsome and he's charming and he's funny. He's also non-threatening. Women laugh at his jokes, men invite him out for beers with the guys. It's all so generic and boring and mundane, and not in the way she's come to enjoy. Dan would never be caught dead somewhere like Hideout, where Sylvie has been half a dozen times since the vampire's show. Dan doesn't stomp around like Sylvie does, Dan doesn't listen to loud music, he drinks Darrow's equivalent to Coors light and he sure as hell isn't in a relationship with more than one person.

Dan's single. He'll always be single. That's just easier for Sylvie to deal with.

Sylvie is not single, however, and as she stomps into the townhouse, still wearing Dan, she knows at least one of her two men is present. He's seen her in this form more than a few times, so she knows he won't be startled by the angry blond man suddenly slamming cabinets in their kitchen and she should revert back to her preferred form, but there's something more satisfying about slamming things with a big stupid man's hand.

Which she does. Vigorously.
the_variant: (075)
Sylvie keeps seeing her idiot brother.

She sees him as he was, not as the man Loki or Bucky might know, but as the boy she had grown up with. The glimpses she gets of him are always fleeting, a flash of his stupid gold armour (play armour, he's a child) through a crowd, or his eyes meeting hers from across the street, just for a moment before someone crosses in front of her and he's gone. He'll turn a corner ahead of her and when she follows, he's nowhere to be seen.

Twice now, he's stayed a bit longer. Staring from a distance too great for her to cross before he disappears and when he holds her gaze, she feels like he has something he's trying to tell her.

But Thor was always a bit too thick even for message delivery and maybe she's just gone insane.

Her dreams aren't much better, strange and dark, with details that become bogged down in a sense of ruination. In one, she vaguely remembers Loki sitting cross legged in a dark room with a handsome stag resting at his side. But the stag had started shedding his velvet and it hung in bloody strips from his rack, which Loki had been pulling off bit by bit, laying the bloody velvet at his feet. He had beckoned her closer and when Sylvie knelt, it was in the blood. Loki leaned in, his lips to her ear, and he had said something to her in the dream, but she doesn't remember his words, only that they had left her chest feeling tight, as if something was coming for them both.

Tonight she's sleeping in her own room, having started off alone, but at some point Loki had joined her. When she wakes with a start, a warning on her lips from a new, ominous dream she can't remember, it takes her a moment make sense of the shape in the bed beside her. Before long, his familiar sprawl becomes apparent, dark hair on a pale cheek, and Sylvie exhales shakily as she rests her forehead on his shoulder.

It's clear she isn't going to fall asleep easily, so after several moments, Sylvie rises and hooks a silky robe from where she'd left it on a nearby chair. Pulling it over her shoulders, she wanders to the window to look down on their yard, their home, and centre herself.

Thor is standing below. Her breath catches as their eyes meet, his large and sorrowful, and she's suddenly furious.

"What?" she barks, then slaps her palm against the glass. "What do you want?"
the_variant: (100)
"Is this what people do?"

She's asking Loki, because while she thinks he would at least claim not to be good at any of this, she knows for a fact he's significantly better than she is. Still, she had wanted to try, and now they're standing in the dining room of the townhouse, staring at the people she'd hired as they set out the dinner they'd made, five courses, three settings, and an extremely uncomfortable goddess at the centre of it all.

A year ago, she'd found Bucky, rather sadly and pathetically, buying himself a single cupcake to celebrate his birthday. She hadn't made a big deal out of remembering, but Sylvie's memory is long and rather iron clad, so here they are, a year later, with Sylvie having not the slightest idea if what she's trying to plan is at all what Bucky might want.

Loki is better at this. She should have let him take complete control and then forced him to let her take some credit for it. Whatever gift he's come up with, she's planning on taking some credit for that, and maybe she'll allow him some credit for the dinner in return.

She hadn't stolen anything, hadn't conjured any of it, and while the money she'd used to pay for the catering hadn't exactly been come by honestly, at least she had paid. She's wearing dark clothes, simple, elegant, jeans and a blouse, the silver dagger necklace Bucky had bought for her laying against the material of her shirt.

Loki, as usual, looks beautiful and she elbows him, then nods at the dinner table.

"Well?" she asks. "Is it right?"

Bucky would be here any moment, after all.
the_variant: (013)
Sylvie hates that they're here.

Nothing about the festival itself is interesting to her, not the music, not the camping, none of it really. But the possibility of an island having simply appeared, now that is absolutely fascinating. So she goes, she demands Loki goes with her, to see what they might be able to discover about the island, about Darrow, about the impossibility of it all. Their intentions are good, even if she doesn't know what they would have possibly used any of the answers for.

All this time, all these months, and she still doesn't know if she wants to leave or make sure they stay.

Things begin to go wrong almost immediately. The festival itself is a joke, with little food being supplied, and almost nothing Sylvie might call music, even within the loose definition Darrow uses for the subject. The tents are barely more than tarps and she's intent on getting back to Darrow properly at the first chance they have.

Except they miss the ferry. And they miss the ferry because, for longer than she'd like to admit, Sylvie had been floating following a bloody bee sting. By the time she finally figures out how to get down -- a second sting, which is really more luck than anything -- the first ferry is gone.

And the second ferry is on fire.

The first time Sylvie sees someone in a cloak, they're preparing to swing a bat toward Loki's head, and while she's certain he can protect himself, she still grabs his arm and yanks him back, shouting, "Down!"
the_variant: (015)
Two long months into her time in Darrow and Sylvie hasn't found this place to be any less frustratingly boring than it had appeared on her first day. She can't figure out how to leave and, as much as it pains her to admit even to herself, Loki had been right to question where she would go. Where they would go now, she supposes, because she can't imagine leaving him behind.

And where would they go? Back to the TVA, she has to assume, even though they haven't really spoken of it any further. She isn't sure she wants to speak of it. She isn't sure what she wants at all, which is unsettling enough after so long of wanting nothing more than revenge. Without it, she's at a loss, adrift in this stupid little city with its rules and its borders keeping her here.

Now, though, she's slightly less inclined to leave. Unless they were to go together. Which is one more thing she leaves unsaid between them. Eventually, she has to assume he's going to grow tired of her not saying what she means and Sylvie likes to think she's prepared for that, but ever since meeting Loki, she hasn't truly been prepared for much of anything he brought into her life.

Which is why she so often finds herself here, in the haunted building to which he's been assigned. He may not even be here, but she takes the creaking elevator up to his floor, then leans against the doorframe of his apartment and drums her fingers on the door.

"Open up," she calls. "Before I get bored and leave."

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Sylvie Laufeydottir

August 2025

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